It is also an admirable example of how a constant tension between twin polarities of sympathy and alienation can be sustained across 180-odd pages by adjusting the narrative voice in terms of its tone, texture and reliability. Mohsin Hamid’s The Reluctant Fundamentalist is a perfect instance of how an author writing in the first-person narrative mode can create an inescapable situation of aesthetic dread and verbal domination. By uncovering certain ambiguities in Changez’s ideological rhetoric, the paper tries show how Changez’s critique of American corporate fundamentalism stems from his lack of a sense of belonging and from a feeling of problematized identity. This is to argue that Changez’s desperate attempt at assuming this stance has its roots not only in the cultural alienation and racism that he is subjected to in America, especially in a post-9/11 America, but also in his futile effort to naturally integrate with a Pakistani way of life. The article will focus on the contrary impulses of alienation and integration in Mohsin Hamid’s The Reluctant Fundamentalist that the central character and narrator Changez goes through in America while working as an employee at Underwood Samson, a “valuation” firm and his subsequent return to his native Pakistan where he assumes what appears to be an ultra-nationalistic political stance. Avirup Ghosh, Bhairab Ganguly College, Kolkata
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